1.31.2012

5 Cool Gadgets and Gear (That I Can't Quite Justify On My Student Budget)

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1. Impossible Project PX 680 Color Shade First Flush, $21.99 for 8 exposures

The Impossible Project, started in 2008 after Polaroid stopped making instant film, is using a former Polaroid factory in the Netherlands to attempt to create new films for Polaroid SX-70 and 600 cameras. They started with "SilverShade" monochromatic films, but now also make "ColorShade" films. Between the facts that the results aren't yet to par with Polaroid film and the price comes out to almost $3/exposure, the Impossible Project film is something that I will probably try at some point, but can't see myself using on a regular basis.



2. Canon EOS-1D X Digital SLR Camera, estimated retail around $6,800

There are so many things about this camera that are drool-worthy, such as its ability to record 1920 x 1080 HD video, a 18.1Mp full-frame CMOS sensor (I'm determined that my next camera will be a full-frame camera, though a less high-end one), 61-point AF, and up to 12 fps (RAW + JPEG) continuous shooting. Beyond the technical stuff, it's a ridiculously legit camera, with a magnesium alloy body and a whole slew of buttons and information screens. Honestly a lot of the specs of this camera go way over my head, but based on what I've read I kind of think of it as the superhero love child of the higher-end Canon sports and studio cameras. I mean, with a name like "X," how could it be anything other than a superhero?



3. The iPhone Lens Dial (Wide Angle, Fisheye, and Telephoto), $249 (plus, for that matter, an iPhone… $200-$400, plus the wireless service price)

Okay, so despite (or maybe because of) loving my Macbook Pro and iPod, I'm a little wary of Apple taking over the world. That said, iPhones and their cameras are just so fun! My next phone will probably be an iPhone, and I will probably join the wave of "iPhonographers." Which will mean that I will probably join the ranks of people longingly eying sleek, expensive accessories like this lens dial, which adds wide angle, fisheye, and telephoto lenses to your options. Given my tendency to break phones and phone accessories, this will probably stay solidly on the "want" rather than "need" list, but it's still a neat idea.



4. Canon EF 8-15mm f/4L Fisheye USM Fisheye Ultra-Wide Zoom Lens, $1,425

Beyond the steep price, this is one of those lenses where half of me says "and how often would you actually use it, exactly?" and the other half says "all day of course because it's just so cool!" On a full-frame body the lens provides a circular 180 degree fisheye at the wide end, or a more classic fisheye at the long end. On a cropped sensor body, the lens acts as a fisheye to wide angle, with an approximately 13-24mm equivalent focal length. Though there are some practical applications for such an extreme lens, for someone like me it would be a very expensive (and very awesome!) toy.



5. Lytro light field camera, $399 for model with 8GB internal memory, $499 for 16GB

Apparently the idea of a light field camera has been floating around for a while now, and some experimental and industrial or scientific models have been made, but as far as I can tell the Lytro camera is the first offering aimed at consumers. The camera body itself is essentially a tube, with a lens at one end and a touch screen at the other. The lens offers a constant, wide, f/2 aperture and "8x optical zoom lens," though the company's website doesn't specify the focal lengths of this range. The images the Lytro camera produces are not especially high resolution in the traditional sense, but can be refocused after they are taken (with some limitations - for example, refocusing to a sharp infinity point is unlikely if your original focal point was fairly close). Right now the technology is young, and, in my opinion, still falls solidly in the "gadget" category, but it is a fun and intriguing development in consumer-grade technology.


-Hannah

1.30.2012

Valentine Gifts

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Why not get your Valentine that special photograph printed. Quality is one thing that never goes out of style, and we use only the finest print papers, whether you are ordering color or black & white.

Call 843-720-3105 or visit Charleston Center for Photography.

Printing services.

1.27.2012

Interdisciplinary Adventures: Hannah's Feminist Because Project

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One of my favorite things about my college career has been the fact that I’m double majoring in two mostly disparate fields: gender studies and photography. When I’m frustrated with one, I can switch gears to the other, and when I’m enjoying them both, I can try to merge the two.


Last semester, for an open-ended project in one of my gender classes, a friend, Meredith Porter, and I started a blog (or more precisely, a Tumblr, which is a "social-blogging platform" according to businessinsider.com) called “Feminist Because.” Originally it was Meredith's idea, and she just enlisted me as a photographer, but the project quickly became a really fun collaborative effort. The blog features people holding signs that say “I’m a feminist because” with their reason. The results have been varied, and have received a lot of support on Tumblr.


The project has also been interesting from a photographic standpoint. The first batch of photos were done on a tight schedule (amid the flurry of final projects and exams at the end of the semester), so they weren't elaborate photoshoots, just quick natural light portraits. Another aspect of the project that I expected to be a challenge was how to make "attractive" photos of people that are just people, not models. (As a feminist there's a lot I could say on this, but here I'll stick to my photographer's perspective.) However, I decided to go for honesty and simplicity, and I like the results. Throw some diffused lighting on someone, accessorize with a smile, have a nice blurred background behind them, and it becomes pretty easy to get a good picture. No, these aren't the most amazing photos I've taken, but I think they do the job, which is a nice feeling.


-Hannah


1.25.2012

A New Intern at CCforP

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Hi everyone! My name is Hannah Reed and I’m the latest intern at CCforP. I’m from Greenville, SC and go to College of Charleston. I’m a junior, double majoring in Women’s and Gender Studies and Studio Art (Photography). I’m experienced with both digital photography (through my own work) and black and white 35mm film (through classwork in my major), but I’m excited to learn more about digital through my time at CCforP. I’ll be at the Center most weeks on Wednesday, Thursday, and Friday afternoons, doing anything and everything that needs to get done, as well as assisting on a few photo shoots. I’ll also be contributing to the various CCforP social media, such as this blog, so if you don’t see me in person you’ll probably be hearing from me again on here.

-Hannah

1.23.2012

Intro to Studio Lighting Workshop With Alice Keeney

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Post by Alice Keeney

Yesterday, I taught an Intro to Studio Lighting Workshop at the Charleston Center for Photography. We had a great turnout, and a super successful day! The first half of the day was spent going over basics of the Elinchrom strobes and lighting theory. Later on in the afternoon, we set up three different stations and played with a variety of scenarios. Many thanks to a great group of students, and our beautiful model Morgan!


We tethered my camera to my MacBook Pro using Lightroom 3 so the students could see the results of the lighting set ups as I shot them. Here are some of my shots, followed by the work of my students. If you would like to check out more of my work, please visit www.alicekeeneyphotography.com! I will be hosting several other workshops at CCforP this spring, so be sure to keep an eye on the calendar and come on in!

Student Work:


Photo by Ryan

Photo by Leslie


Photo by Jody


Photo by Stephen


Photo by Kim

Photo by Pat



Photo by Anthony

Photo by Meg



Photo by Stephen



Photo by Bill


Great work everyone! You should be very happy with the work you created:) Hope to see you back at CCforP soon!


1.06.2012

Pre Order Your Nikon D4 Today

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GET YOURS PER-ORDERED THROUGH B&H TODAY!

Nikon D4 Digital SLR Camera (Body Only)

Designed for the working photographer, the D4 meets the most-demanding photog's needs and then some. Packed with features essential to getting the job done, and getting it done well this rig is more than a digital camera, it's a shooter's bread and butter.

Building off the basic structure of its predecessor, the D4 goes big in a number of ways which are sure to be appreciated. The camera features a 16.2Mp 36 x 23.9mm CMOS sensor with Nikon's FX-format and the EXPEED3 image processor. ISO sensitivity can now be extended as low as ISO 50 or as high as 204,800 with a standard range of 100-12,800 ISO. Additionally, 10 frames per second continuous shooting in FX-format for up to 200 shots ensures the decisive moment will not be missed.



The D4 records in RAW, JPEG, TIFF, and RAW + JPEG files. Metering options include RGB 3D Color Matrix III metering, center-weighted, and spot. Additionally, compatible storage media includes the future of professional storage, XQD memory cards, and Type I CompactFlash memory cards (UDMA compliant). Of course, NIKKOR AF-S and AF-I lenses are compatible with the D4 body, putting an extensive line of lenses at the photographer's disposal.

Another improvement on D4's little brother would be the slightly bigger LCD screen. Up from 3", the D4 has a 3.2" LCD monitor with a 170° viewing angle, approximately 100% frame coverage, automatic monitor brightness control, and Live View. In Live View the image can be enlarged up to 46x to make on the spot focus confirmation. Surrounding the monitor are illuminated buttons for ease of use even in low light. Additionally, quick access Live View confirms exposure, white balance, monitor hue, histogram, focus mode, AF area mode, and focusing accuracy with ease.

The D4 also boasts stellar auto focus features - like 51 AF points, an AF mode selector switch, and fast AF point selection. All three of these components of the AF system ensure accurate, fast shooting whether the subject is a room full of children or a high-speed sporting event.

Of course, the D4 wouldn't be a professional level DSLR if it didn't include full HD video capture. The D4 does so, making it equally a pro videographer's tool as much as a pro photographer's. From 1080p broadcast quality video at 30 or 24 fps to full manual control to the option to add an external mic for stereo audio capture, the D4 isn't just a digital camera that also captures video.

Features like the aforementioned Live View allow the videographer to confirm capture of their footage on the camera's LCD and an external (optional) monitor simultaneously. It also gives you access to Picture Controls to handle the look and feel of the video, in-camera. Peak audio meters also allow the videographer to adjust sound levels manually in 20 incremental steps. Remote start and stop of view using wired and wireless remote accessories is also an option, among many others. (source B&H)

Specifications (Sourced from Nikon USA)

  • Lens Mount
    Nikon F bayonet mount
  • Effective Pixels
    16.2 million
  • Sensor Size
    36.0 x 23.9mm
  • Image Sensor Format
    FX
  • Image Sensor Type
    CMOS
  • Total Pixels
    16.6 million

  • Picture Control
    Landscape
    Monochrome
    Neutral
    Portrait
    Standard
    User-customizable Settings
    Vivid
  • Storage Media
    CompactFlash© (CF) (Type I, compliant with UDMA)
    XQD Type Memory
  • Card Slot
    1 CompactFlash© (CF) card and 1 XQD memory type card
  • Viewfinder
    Eye-level Pentamirror Single-Lens Reflex viewfinder
  • Viewfinder Frame Coverage
    FX (36x24): 100% Horizontal and 100% Vertical Approx.
    1.2x (30x20): 97% Horizontal and 97% Vertical Approx.
    DX (24x16): 97% Horizontal and 97% Vertical Approx.
    5:4 (30x24): 97% horizontal and 100% vertical Approx.
  • Viewfinder Magnification
    0.70x Approx.
  • Lens Compatibility at a Glance***
    AF-S or AF lenses fully compatible
    Metering with AI lenses
  • Compatible Lenses
    AF NIKKOR, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses and DX lenses (using DX 24 x 16 1.5x image area)
    AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only)
  • Flash Sync Speed
    Up to 1/250 sec.
    Synchronizes with shutter at 1/250s or slower\
  • Top Continuous Shooting Speed at full resolution
    10 frames per second
    11 frames per second (AE/AF Locked)
  • Exposure Modes
    Aperture-Priority (A)
    Manual (M)
    Programmed auto with flexible program (P)
    Shutter-Priority (S)
  • ISO Sensitivity
    ISO 100 - 12,800
    Lo-1 (ISO 50)
    Hi-4 (ISO 204,800)
  • Focus Modes
  • Auto AF-S/AF-C selection (AF-A)
    Continuous-servo (AF-C)
    Face-Priority AF available in Live View only and D-Movie only
    Full-time Servo (AF-A) available in Live View only
    Manual (M) with electronic rangefinder
    Normal area
    Single-servo AF (AF-S)
    Wide area
  • Maximum Autofocus Areas/Points
    51
  • Approx. Weight
    41.6 oz. (1180g)
    camera body only
  • Operating Environment
    0–40 °C (+32–104 °F)
  • Supplied Accessories
    • AN-DC7 strap
    • EN-EL18 Rechargeable Li-ion Battery
    • MH-26 Battery Charger
    • UC-E15 USB Cable
    • USB Cable Clip
    • BF-1B Body Cap
    • BS-2 Accessory Shoe Cover
    • UF-2 Connector cover for stereo mini plug cable
    • UF-1 Connector cover for USB cable
    • Nikon View NX2 CD ROM
    • Transmitter Utility CD

1.02.2012

January Events at CCforP

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Join us on Monday, January 9, 2012 for our FREE Second Monday Lecture Series. It starts promptly at 7:00 p.m., so get in early to get your seat! Our first lecture of the 2012 series will be John "Jack" Kotz. Before the lecture, we are going to start the New Year off right with a RAFFLE of items from some of our friends at Manfrotto Distributions, Kata, onOne Software, B&H and Nikon Professional Services. You don't want to miss this January event!

Class Schedule for January 9 through February 17

Monday

Introduction to Digital Photography E

with Kenny McKeithan

3:00 p.m. - 5:30 p.m.

Tuesday

Outdoor Photography
Lightroom A
Introduction to Digital Photography C
Photoshop Elements for Beginners

with Kenny McKeithan
with Kenny McKeithan
with Kenny McKeithan
with Mahmood Fazal

10:00 a.m. - 12:30 p.m.
2:30 p.m. - 4:30 p.m
.
6:00 p.m. - 8:30 p.m
.
6:00 p.m. - 8:00 p.m.

Wednesday

Introduction to Digital Photography A
Introduction to Digital Photography B

with Douglas Cunningham
with Mahmood Fazal

9:30 a.m. - 12:00 p.m.
6:00 p.m. - 8:00 p.m.

Thursday

Environmental Portraiture
Painting with Light

Digital Black and White B

with Douglas Cunningham
with Mahmood Fazal
with Douglas Cunningham

9:30 a.m. - 12:00 p.m.
6:00 p.m. - 8:00 p.m
.
6:00 p.m. - 8:30 p.m.

January Workshops

http://www.ccforp.org/images/thumbnails/camera_School_0531.jpg

Getting to Know Your Camera
with Stacy Pearsall
and Andy Dunaway
January 4

http://www.ccforp.org/images/thumbnails/camera_School_0531.jpg

Getting to Know Your Camera
with Stacy Pearsall
and Andy Dunaway
January 7

http://www.ccforp.org/images/thumbnails/introtodigitalphoto.jpg

Intro to Digital Photography
with Kenny McKeithan
January 14

http://www.ccforp.org/images/thumbnails/dougs_intro.jpg

Basic Digital Photography
At the Charleston AFB

with Douglas Cunningham
January 18 & 25

http://www.ccforp.org/images/thumbnails/elinchrom_softbox.jpg

Basic Studio Lighting
with Alice Keeney
January 21

http://www.ccforp.org/images/thumbnails/introtodigitalphoto.jpg

Intro to Digital Photography
with Kenny McKeithan
January 28


654 King Street, Suite D | Charleston, SC 29403 | 843-720-3105