2.28.2010

Drama at the Airport

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On the last day of our trip to NYC the snow started to fall like mad. We were very uncertain whether we'd be stuck or not. But, our flight from NYC did make it out. Albeit, we had to wait two hours after our scheduled take off time to find out the our plane was broken. US Airways switched us to another flight to Philly at the last second where we could catch a connector to Charleston.

We landed in Philly way too late to make the connection and US Airways told us we'd have to pay for our own hotel. Why? Because we switched planes in NYC. LOL! Yup, they said that if we had stuck with the plane that was broken, they would pay for us to spend the night. However, they made it sound like we had a choice and therefore relinquished any luxuries such as a taxi or hotel.


I was a little more than irritated at that point and asked to speak with the manager. He came over and gave us the same run around.

"The man at the desk made an announcement that all passengers on US Airways Flight 4581 had to transfer to the other flight," I said. "It's not like we had a choice. Honestly, if I had a choice I would have stayed in NYC at my friend's house instead of the Philly airport."


"We could get you a flight to Columbia, South Carolina," one of the staff suggested. "You could drive home from there."

That was nice in theory, but it was really late. The drive from Columbia to Charleston is just over 1.5 hours. I had a vision of Andy and I flying off the highway after we fell asleep at the wheel.

"Will you give us a rental to drive home?" I questioned.


There was a long pause while the manager and other staff pondered our predicament. Give them a hotel? Give them a rental? Let them suffer through the night in the airport? Much to our relief, however, they finally caved in.

"We'll put you up over at the Hilton," the agent said. "Your bags will stay here at the airport and will be transferred to Charleston on the first flight out."


We got to bed somewhere close to midnight. We slept in our street clothes because our pj's were in our bags, which were being held hostage by US Airways. Our teeth were very furry the next morning and I believe we would have robbed a dentist for a tooth brush.

As I begin to think more about it though, we got off lucky. We had a bed to sleep in and we had each other. It could have been worse.


We were on the first flight home to Charleston - with our bags. The delay in our travel did afford us some time to get work done. I wrote several pages for my book and Andy caught up on his reading. No, Andy doesn't read books, he reads photo-tech magazines.


We got to see the airplane de-icing rig in action, which was really cool. I felt like I was on the scene of a Terminator movie. I could here the theme song in my head... do, do, do-do.... do, do, do-do.... "I'll be back!"


After all of the drama at the airport, we finally made it home. We picked up our dogs from our friend's house and made a b-line for the shower. Did I mention I finally got to brush my teeth?!?!

2.27.2010

Eddie Adams Workshop Now Open for Applications

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Right before Andy and I caught a plane home Alyssa Adams grabbed a big box of Eddie Adams pictures from the Associated Press. Amongst all of the original prints, there was a gorgeous portrait of Eddie with his camera. Andy was so struck by it, he made this picture.


Our trip to NYC was amazing and we owe a GIANT thank you to Alyssa Adams, August Adams, Mirjam Evers, Najat Naba, Mike Stewart, Gabriel Biderman and many others. The friendships we've made are contributed in large part to our volunteerism to the Eddie Adams Workshop. That's why I wanted to dedicate a whole blog to the workshop. If you haven't been, you have to go! If you are an alumni, help get the word out about this wonderful event.

2010 Barnstorm Workshop

- Nikon will be giving away a $10,000 prize for the Workshop's top shooter!!!
- Assignments from top publications around the nation will be awarded to hard working photographers
-A bunch of other goodies will be dished out too, but you'll have to go to find out what they will be!!!

The Eddie Adams Workshop is an intense four-day gathering of the top photography professionals, along with 100 carefully selected students. The photography workshop is
tuition-free, and the 100 students are chosen based on the merit of their portfolios.

You get a photo assignment to shoot during the workshop, and can borrow the latest and greatest gear from EAW sponsors like Nikon. You also get to listen to lots of bad ass photographers - from Pulitzer Prize winners to top editors - provide you inspiration. Hey look, it's Platon.



How much does it cost to attend the Workshop?
The Eddie Adams Workshop is a tuition free event

I am a freelance photographer who did not go to school for photography and have never worked as a professional, though I'm hoping to become a professional photographer- can I still apply?
The Eddie Adams Workshop is an intense experience, designed for those intending to work as professional photographers and photojournalists. That said, as long as you have not been a professional photographer for more than 3 years, you are eligible to apply.

2010 Key Dates

  • May 28, 2010: All applications due
  • June 26: Final Portfolio Judging
  • July: Barnstorm XXII acceptance announcements
  • October 8-11: Barnstorm XXII in Jeffersonville, NY


2.25.2010

Agenda: TV Guide, ICP and EAW

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Dear diary... just kidding. Today Andy and I got up early to grab some chow at a little diner around the corner from the Bathhouse Studios. The streets were already buzzing with traffic, pedestrians and the unemployed saxophone player.




After our little outing, we met with Lacy, who is the Director of Community Programs at the International Center of Photography and our friends from Photo Quest Adventures, Mirjam Evers and Najat Naba, to discuss doing some fundraisers for their youth programs. It's our goal to get our Charleston based youth program together with NYC's youth program one summer. We are in the planning phases so wish us luck!


The meeting with ICP went great, but Andy and I had to rush off to mid-town. We were going to see Alyssa Adams, photo editor of TV Guide. She is the amazing woman that is letting us crash at her house. She gave us the tour of her office and talked about the "new look" of the magazine. I have to say it looks amazing. Be sure to check that out on your magazine stand soon!




As we walked the streets of NY, I realized something. How could anyone want to "go see a show" when there is a "show" unfolding around you on the streets? Andy and I took nearly 30 minutes just to get one city block. We were happily snapping away at some of the neatest things we've seen. Now, to our New Yorker friends, it's all "old hat". But to us, it's exciting.



Alyssa's dog, Bruiser, is a hambone that loves on just about everyone. I happen to be a big sucker for hambone dogs, so I convinced Andy to stop at a pet store during our outing. We walked into the innards of a piƱata! There was stuff hanging from everywhere! LOL!



I can see people's draw to New York. It has a personality unlike any other city in the world. There is a diverse group of people who make up the populous and I really enjoy that. I've always heard that most New Yorkers are cold and have blinders on. I haven't gotten that impression. The only stigma that has held true are the cab drivers. They are maniacs on the road!


At the end of the evening, Andy and I had to dash back toward East Village for the Eddie Adams Workshop happy hour. We spent an hour there mingling and then the hunger set in. There was a Lebanese joint across from the bar, so we dashed over there. We were hoping to be in and out because our friend Gabriel Biderman's exhibition launch was about to start. But, everything seemed to happen in slow motion and we missed it. We were bummed, but also incredibly exhausted. By the time we got back to home base we were zombies. However, I did apologize to our friend and begged for a tour of his exhibition first thing today!!!!

It's been a great time so far. More to come...

2.24.2010

NYC: Round Two

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Yesterday Andy and I got up at 4:00 a.m. to catch the first flight out of Charleston. Where were we headed? NYC baby! It's very rare that Andy and I can enjoy time together, but it's really great when we can spend some quality time together, traveling and doing "photo" stuff!

Our first stop was the Bathhouse Studios, which is Alyssa Adams' place. She and her son, August, have been kind enough to let us shack up with them for a few days. After we got settled in, we jumped into a cab and made a b-line to B&H. I immediately called our good friend, Gabriel Biderman, who works for B&H and asked him to meet us.


Okay, let me introduce the folks in the picture above... on the left you have the quintessential "B&H Dude", in the center is the very-dapper Gabriel and on the right is thee man himself, Andy Dunaway. I'm pretty sure he's trying to spend our hard earned money. What little we have (wink). But that lens is a Betty to be sure.

I finally got a bonified movie clapper for my multimedia pieces. It was a pain trying to sync my audio to my video just using hand claps. LOL! Now I can use THIS!


I'm not too sure what Gabriel is insinuating here, but I am sure it's in regards to Andy's... umm... very long lens... yes.


For all you New Yorkers out there, Gabriel Biderman will be having an exhibit launch today from 8:00 p.m. to 10:00 p.m. The address is: 46 East 46th Street, New York City. Now, if you do NOT make it to Gabriel's show, do NOT fret. He is coming to CCforP! Yes he will be sharing his beautiful work, but he will also be sharing some of his nocturnal natures behind a camera. Why be so revealing? He's having a Nocturnal Photography Workshop at CCforP in June.

Today is also the EAW Staff, Faculty, Alumni and Black Team gathering night. If you are interested in clinking some beer bottles with me or Andy, come on down to:
"Drop Off Service"
211 Avenue A at 13th Street
New York, NY
From 6:30 - 9:30


Gabriel got us lunch at the really great diner across the street from B&H. Thank you Gabriel! We'll pick up the tab on the next go-round.


Here is a picture of me on the phone with CBS about a short minute appoint plan. Andy and I met with one of the producers and had a nice talk. More to come on all of that thought... in the mean time... While at the CBS studios, I did have a Katie Couric siting! CRAZY!

Here are some of Andy's photos....



So many great things happened to yesterday. and I am thrilled to tell you all of the juicy details. But, I have to run and do it all over again today. I will blog more later. More to come.

2.22.2010

She's So Beautiful!

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Since I'm leaving for NYC tomorrow morning, today was intended to be fairly uneventful at the studio. Well, I did have a photo shoot, which I thought was going to be routine. It wasn't, but in a very good way. I had the great opportunity to shoot a beautiful personal trainer with a very fit body. I couldn't have asked for a better subject.

Nikon D3s and 24-70mm Lens
Manual Exposure: ISO 50, F-11 and 1/200 Shutter Speed
4 SB900 Strobes
1 Fog Machine & Baby Oil (LOL)

I had two lights behind the subject on either side. They rimmed her face and arms to separate her from the background. I had a third flash up high on camera left. The fourth strobe was the master on my camera. If I had more time, I would have manipulated the shadows more around her neck and shoulder. But, I did this set up in less than 10 minutes at the very end of a one-hour shoot. She was tired... I could tell. Hopefully you can't tell in this picture. Isn't she gorgeous?

Andy's Photos...
Nikon D3 and 24-70mm Lens
Aperture Priority: ISO 400, F-2.8 and 1/15 Shutter Speed
Exposure Compensation: -1.5

Nikon D3 and 24-70mm Lens
Aperture Priority: ISO 200, F-4 and 1/750 Shutter Speed
Exposure Compensation: -1.5

2.19.2010

New Furniture for the Studio

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What a day. I'm nearly done redoing the Center's meeting room. Yup, it's nearly done. I got a new couch, two chairs, a coffee table, a desk, two desk chairs and a brand new 21.5" LED iMac! I even painted the walls a warm grey and scrubbed the floors with a professional buffer. I haven't used one of those things since my early military days.

When they say, "it takes a village," they mean it. I had some great help from Sally Hayes, Alice Keeney, Kayla McGuire and Jonathan Katzenberg. Oh I almost forgot; Andy helped me pick out the right computer and install programs such as Adobe Photoshop, Photomechanic and Lightroom 2.


Always trying my best has really worn me down. But doing my best is the only way I know how to operate. Plus the Center and the people involved are worth all of my hard work and energy.


The meeting room is a space that the Center's pro-members can use to meet clients. Professional photographers have given up their studios and have started using theCenter as their office and studio. It's great. The studio is HUGE and now the meeting room is totally sleek. I look forward to seeing more photographers use the Center's awesome spaces.


Above: Here is a picture of my intern, Jonathan Katzenberg, sitting on our brand new couch. On the left-hand side of the frame are two Elinchrom BXRi heads on Manfrotto stands.


I made a quick portrait of Jonathan before breaking down the lights.


Here is my photo from yesterday. I didn't have time to post anything last night. I shot this while picking up some sushi at my local Japanese joint.


I added a filter to give it more of a cartoon look. It's just Poster Edges under Filters in Adobe Photoshop.

Andy's Photos...

Here is a nice picture of a bird in the pond near our house. Actually, it's right outside our backdoor!


Andy flew a local C-17 Globemaster III mission last yesterday and got this picture before taking off and flying all night.

2.18.2010

Wounded Warrior & Olympian

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I am now an Olympic athlete in training! All be it no great athlete, but an Olympian just the same. Can you believe it? I can't that's for sure, but I'm really excited about participating in the Wounded Warrior Games for the Air Force Team. I will be running the 1500 meter race and shooting in all of the marksman events.

Please help spread the word about this event. It's the first year this is happening and they still need athletes from every branch of service. There's volleyball, running, cycling, swimming and more. For all of my buddies out there who served in Iraq with me, come on out and play a sport. It's going to be fun!

Want to know more? Here you go....

Wounded, ill, and injured service members will compete in the inaugural Warrior Games, May 10-14, 2010, through a joint effort between the U.S. Department of Defense and U.S. Olympic Committee. These inaugural games are part of an effort to inspire recovery, capitalize on physical fitness, and promote opportunities for growth and achievement among those wounded, ill, or injured.

The Warrior Games will provide a unique challenge for those who wish to learn more about adaptive sports and compete at a national level. An estimated 200 athletes will travel to the US Olympic Training Center in Colorado Springs to compete as the guests of the U.S. Olympic Committee’s (USOC) Paralympic Military Program. From the Army there will be 100 servicemembers, 50 from the Marine Corps, 25 from the Air Force, and 25 from the Navy/ Coast Guard.

All athletes and alternates selected will receive training assistance in preparation for the May games. Some of this support includes coaching clinics by US Paralympics coaches, training by the Army Marksmanship Unit, cycling training by Ride 2 Recovery, and adaptive sports equipment provided by the generosity of the United Services Organization, American Red Cross, and others.

Athletes competing in Warrior Games have sustained injury types including:

  • Upper body injuries
  • Lower body injuries
  • Spinal cord injuries
  • Traumatic brain injuries
  • Post-traumatic stress

The events will be shooting, swimming, archery, sitting volleyball, cycling, track, wheelchair basketball, discus, and shot put. In addition to winners in each event, there will be an “Ultimate Warrior” competition in a pentathlon format, and service team scoring for a rotating Chairman’s Cup.

The Warrior Games provide a focal event to empower the incorporation of athletics into military wounded warrior programs, and provide an opportunity to introduce Paralympic sports to injured service members, while at the same time building camaraderie and raising awareness of Paralympic competition and adaptive sports in general.

For more information on Warrior Games visit the U.S. Paralympic team Web site.

Those interested in submitting a nomination package to be considered as a competitor should request a packet through their chain of command. For more information contact the following service representatives:

Once on the battlefield…now on the playing field…with the same fighting spirit…

Nine Sports
200 Athletes
Be A Part Of It

2.17.2010

Jazz It Up with One Light - Two Light

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Today I gave a lecture to a dozen senior citizens at an assisted living home. I love my job. I had their undivided attention for an hour and we had a blast. We talked about how to make some good photos using happy-snap cameras and their faces were enthusiastic.

They asked me to share some of my experiences as a combat photographer, so I gave them a quick 30 minute show. I even got to have a good chat with a WWII veteran. It was definitely a great experience.

After I got back to the studio, I got to help Alice Keeney make some portraits of Jazz Artist of Charleston singer, Charlton Singleton. She was working on a flip book style photo series. However, toward the end of Alice's shoot, I got to jump in a make a couple quick pics.

Simple lighting really...

I started out by putting a square softbox behind Charlton and one light camera left. As you can see, he is situated in a profile position and the camera-left light is facing directly toward him at eye level. This lighting arrangement gives a nice rim to his face and also emphasizes his hand and trumpet. The softbox behind Charlton gives a crisp cut-out profile.

For my second scenario, I moved the softbox to the camera right position. In the first shot there was no light on the back of Charlton's head. By moving the softbox camera right, the light added a separation between my subject and the background. I raised the camera-left light up to give his cheekbones some extra pop. Raising the light also allowed the light to flow equally over his face, hands and instrument.

If I can create dramatic shadows, I will. I find that shooting into shadows adds extra dimension to my photos. When you get a chance, give this a try. It's just two lights and one subject. Have fun!

Andy's Photo...
Andy had to re-qualify on the M-9 pistol today. Here is his evidence. He just told me he scored expert... again. Look out now!

2.16.2010

Making Fun Photos Out of Gum Ball Machines

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Today I was out hunting for new furniture for the CCforP "Meeting Space". After my fourth stop at a local furniture company, I got back in my car and it wouldn't start!

"Oh no," I said to myself. "What am I going to do?"

It sounded like a battery problem, and figured I needed a jump. So I called my girlfriend, Trish, to see if she could come to my rescue. In true-friend fashion, she did and I can't thank her enough. Lord knows that friends like that are hard to come by these days. I hope I can repay her in the future - heaven forbid something like this happens to her.

She suggested I take my car to the store where I originally purchased my battery. I did. The representative ran a diagnostic and informed me that it wasn't the battery. Instead, he said it was a bad alternator. Ugh....

I drove my car over to the Ford dealership, where they got my car on the ramp immediately. Only 3.5 hours later, my car was finally finished. During my extended stay at maintenance shop, I kept myself busy photographing the various candy machines near the waiting room.

Stacy's Photos...
Nikon D3s and 24-70mm Lens
Aperture Priority: ISO 6400, F-2.8 and 1/640 Shutter Speed
Exposure Compensation: -0.7

To make the gum ball detail photo more interesting, I did a quick filter, Glowing Edges, in Adobe Photoshop.

Nikon D3s and 24-70mm Lens
Aperture Priority: ISO 6400, F-2.8 and 1/800 Shutter Speed
Exposure Compensation: -1.0

I applied the Diffused Glow filter in Adobe Photoshop to the M&M's picture. Doesn't it look like little amebas or even colorful small cells?

Nikon D3s and 24-70mm Lens
Aperture Priority: ISO 6400, F-2.8 and 1/1000 Shutter Speed
Exposure Compensation: -1.0

I applied both the Diffused Glow and Glowing Edges filters in Adobe Photoshop to Mike and Ike picture. Crazy looking.

Andy's Photo...
Nikon D3 and 24-70mm Lens
Aperture Priority: ISO 800, F-4 and 1/3 Shutter Speed
Exposure Compensation: -1.5